Dettmann II combines techno with ambient, experimental and house influences on an expertly paced album.[Kompakt]Expertly paced, Dettmann II impresses especially with its carefully rising narrative. On first glance, as the album barrels into action with the particulate grit of 'Throb' and 'Ductil', Dettmann is in fine style. But to the careful listener, these tracks feel lightweight like they're built from aluminum instead of steel. Each tune's central theme is a bit more out there than usual, from the sheet metal racket of 'Lightworks' to the house-hinting chorus of 'Soar', which is every bit as majestic as its title implies. He offers up some top-notch ambient material as well, like the trippy 'Shiver', or the ominous 'Outback', which features contributions from Levon Vincent. Dettmann also reaches for a rare collaboration on his second album. Kindred spirit Emika lends her spectral gasps to 'Seduction', which stays stunningly antiseptic even as it weaves her voice into its wire framework. With Dettmann II's stretch of tracks 'Radar' and 'Corridor', the album finally takes flight into full-on club mania, fist-pumping career-high material with all the subtlety of his old work molded up into a spiky banger. 'Aim', which ends the record in lofty fashion, hints at a new direction for Dettmann, uncharacteristically melodic and even uplifting. Co-produced by Ren? Pawlowitz, it bears the Shed touch but keeps it firmly in Dettmann's finely-honed world. The first track written for the album and the one that initiated the album sessions in the first place, it carefully hints at new directions while keeping its glance firmly in Dettmann's established history - which you could say for the album as a whole, gently moving towards new horizons but always keeping in mind what made Dettmann's past music so great in the first place. [was]
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