Jazz Goes To Beat

(Club Edition, ) 'Jazzová edice Gramofonového klubu

Vydáno ve spolupráci s Čs. hifi-klubem
(Released in collaboration with Čs. hifi-klub)

Orchestr Václava Zahradníka (main artist credit on center labels)
Love In Davos (A4 title on center labels)

Nahráno ve studiu Supraphon v Praze-Dejvicích ve dnech 26., 28. a 30. května a 2. a 3. června 1969
(Recorded at Supraphon studio Dejvice, Prague, on May 26, 28 and 30, and on June 2 and 3, 1969)

Mono 0 15 0718
Stereo 1 15 0718

℗ 1970
(Sleeve notes) © 1969
Cover © 1969
Photography © 1969
———
Toto je high fidelity nahrávka. Byla pořízena na stereomagnetofonech Telefunken M 10 and Studer J 37 (pásky Agfa PER 555). Dozvuk umělý: desky EMT. Dozvuk zpožděný: Telefunken M 5/stereo (38 cm/sec). Délka dozvuku: 2 sec. Použité mikrofony: AKG C 12 (organ), AKG C 1 and D 200 (drums), Fairchild F 22 (piano), Neumann SM 2 (guitars, drums & percussions), Neumann V 48 (french horn), Neumann KM 56 (tuba), RCA DX 77 (brass). Limitery: Fairchild (typ 620). Korekce: Eckmüller. Základní frekvenční rozsah celého zařízení: 40-15.000 Hz.

(Translation of Czech technical notes:)
This is a high fidelity recording. It was made on stereo tape recorders Telefunken M 10 and Studer J 37 (reel tapes Agfa PER 555). Artificial reverb: EMT plates. Echo: Telefunken M 5/stereo (38 cm/s). Delay length: 2 s. Microphones used: AKG C 12 (organ), AKG C 1 and D 200 (drums), Fairchild F 22 (piano), Neumann SM 2 (guitars, drums & percussions), Neumann V 48 (french horn), Neumann KM 56 (tuba), RCA DX 77 (brass). Limiters: Fairchild (type 620). Equalization: Eckmüller. Basic frequency range of the complete apparatus: 40-15.000 Hz.
———
Identical sleeve for mono/stereo version.
A circular gold sticker “1971” may appear on the front cover.
Also released with different cover artwork and English documentation for PZO Artia, identical catalog and matrix numbers.'[discogs]